Zine-Making

Over dinner, members decided on a theme for the zine, which turned out to be Fantasy and Sexuality. 

Source material.

Using materials that some members brought, in addition to stuff from around the house (a jar of vintage matchbooks), and a stack of vintage sports and soft-core magazines, we each created many pages for a zine. Each of us worked within the dimensions of half of a standard sheet of letter sized paper.

Completed pages laid out on kitchen 

floor for determining order.

We chose as a group which ones we liked, attempting an even distribution of works per member. Then we laid them out and called off-site member Harrison to determine an arbitrary order for the zine by asking him to name a random series of numbers.

We all used all 3 of the following techniques: drawing, collage, text. Furthermore, we often used two or all three approaches within one page.

Examples, after photo-copying:

Text

Collage

Text/collage/drawing

Drawing (back cover)

The next day members who were available to do so went to Staples and ran off copies, then reassembled at Milton's to collate and staple pages.

Contact us if you'd like a copy of the first official B(A)NO[S] zine, titled Mushrooms and Clams.

Exhibition Posters

Host: DH
Date: April 10, 2010

This was an improvisatory, very successful project. Sitting at the head of the table, playing to a skeptical audience of three, host Derick leafed through a book "that it looked like he'd found in the trash" (MC) of posters by Picasso. After plenty of teasing about his storytime approach, the group began spiritedly critiquing the posters in the book and agreed that the night's project should be inspired by the book.

PROJECT: Draw in rapid succession a series of B(A)NO{S} Group Show posters. Loose interpretation and functionality is fine, perhaps encouraged. The group was inspired by Picasso's brazenly unfussy line style that Picasso used in a lot of posters. I'm Picasso, dammit, it doesn't hafta look good.
RESULTS: A smashing good time and a wealth of work generated by the group.
NOTE: B(A)NO{S}, as a rule, likes to plan the project ahead of time, and for the most part, this should be the rule. Still, keeping things loose and making this one up as we went along was probably an element of the evening's success.
LIFE LESSON: The group's patience with Derick's admiration for the book paid off big time. Remember that B(A)NO{S} is a judgment-free zone. You get better results that way.

Future chapters may consider:
A) Basing a project on the commercial work of a fine artist
B) Picking a book at random from the host's shelves and using it as a jumping-off point
C) Improvising a project on the spot, but not more than once per rotation

HIGHLIGHTS

Mike's portrait by facial hair

Milton's postage stamp poster

Derick's optimistic plans
for B(A)NO{S} this summer

Nathan's Solo Goup (sic) Show poster

One of our favorite (?) posters
from the Picasso book

You can get the book cheap.

Portraits

Host: M.C.

4 pages were divided into four segments. (4 = number of members - 1) Each member wrote his name in the upper left corner of his sheet, then passed it to another member. In 3 minute intervals, each member drew one other member. IMPORTANT: no pencilling, time limits observed. After each 3 minute interval, a very brief discussion decided who would draw who next, and each sheet was passed (i.e., the sheet with "Harrison" written in the upper left was passed to someone who hadn't yet drawn Harrison). Moving around table for better angles permitted; what's vital is that all portraits are drawn while all other members are also in the act of drawing portraits.

Milton

Nathan

Harrison

Mike

Derick

This was a rewarding project that made us more familiar not only with our own and each other's techniques but also with our perceptions of one another. This was especially stimulating because it was Nathan's trial run with B(A)NO[S] and his first time meeting (perceiving, being perceived by) Mike and Harrison.

Project 5: Pop-Up Books

HOST: MR
We each had to compose a pop-up image on the subject of travel. It proved to be a challenging project for one session with little prep. For national chapters, we suggest you study the worksheets in advance, and also take time to consider your imagery.

Project 1: Linocut

HOST: D.H. (2 sessions)
Using a prepared linoblock, members use xacto knifes and woodcut tools to create an image. This image is printed on a small press.

Project 4: Trompe L'oeil

HOSTS: M.C. + D.H. -- PROJECT BY M.C. (2 sessions)
Using cardboard, paper mâché and paint, members create a "trompe l'oeil object.